Chippendale's Reader
Love 1) the blind fretwork 2) the glow of this mahogany: Jayne Thompson Antiques - Chippendale Period Kneehole Chest

Love 1) the blind fretwork 2) the glow of this mahogany: Jayne Thompson Antiques - Chippendale Period Kneehole Chest

Le Trianon - An Important Rococo Walnut Center Table Possibly Portuguese - 1stdibs
Christie’s fall European Dec. Arts catalog is up, and there are treasures galore:
George III Mahogany “Bonheur Du Jour” attributed to John Cobb - circa 1765-1770

Christie’s fall European Dec. Arts catalog is up, and there are treasures galore:

George III Mahogany “Bonheur Du Jour” attributed to John Cobb - circa 1765-1770

Check out the carving along the frieze & canted corners… this is very well done: O’Sullivan Antiques - George III mahogany chest on chest

Check out the carving along the frieze & canted corners… this is very well done: O’Sullivan Antiques - George III mahogany chest on chest

Stunning carving… it takes some really dense Mahogany to create rococo forms like these: George III Mahogany Gainsborough Chair with Needlework Upholstery

Stunning carving… it takes some really dense Mahogany to create rococo forms like these: George III Mahogany Gainsborough Chair with Needlework Upholstery

Consider this added to the ‘when I win the lottery’ list…
“Renowned for his skill in marquetry, Frederick Hintz mastered the technique developed by André-Charles Boulle in the late 17th century of using metals and precious materials to enhance the designs of fine furnishings. This type of inlay work was considered to be the epitome of furniture making, reserved only for the wealthy and affluent. This particular specimen serves as a benchmark of this fascinating craft during what is considered to be the height of English furniture making.” (via MS Rau Antiques - George II Mahogany Tea Table - 1stdibs )

Consider this added to the ‘when I win the lottery’ list…

“Renowned for his skill in marquetry, Frederick Hintz mastered the technique developed by André-Charles Boulle in the late 17th century of using metals and precious materials to enhance the designs of fine furnishings. This type of inlay work was considered to be the epitome of furniture making, reserved only for the wealthy and affluent. This particular specimen serves as a benchmark of this fascinating craft during what is considered to be the height of English furniture making.” (via MS Rau Antiques - George II Mahogany Tea Table - 1stdibs )